{"id":2547,"date":"2022-02-01T18:16:13","date_gmt":"2022-02-01T18:16:13","guid":{"rendered":"http:\/\/joeviglione.com\/?p=2547"},"modified":"2024-06-07T11:18:15","modified_gmt":"2024-06-07T11:18:15","slug":"joeviglionemedia","status":"publish","type":"post","link":"https:\/\/joeviglione.com\/?p=2547","title":{"rendered":"#JOEVIGLIONEMEDIA"},"content":{"rendered":"\n<p><strong>Lots of You in My Life Mastered by Rob Fraboni June 7 2024 <\/strong><\/p>\n\n\n\n<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/lot-of-you_RFmas.wav\"><\/audio><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1011\" height=\"567\" src=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/Fraboni_Distro_LotsofyouJune7screenshot-distrokid.com-2024.06.png\" alt=\"\" class=\"wp-image-2922\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/Fraboni_Distro_LotsofyouJune7screenshot-distrokid.com-2024.06.png 1011w, https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/Fraboni_Distro_LotsofyouJune7screenshot-distrokid.com-2024.06-300x168.png 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/Fraboni_Distro_LotsofyouJune7screenshot-distrokid.com-2024.06-768x431.png 768w, https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/Fraboni_Distro_LotsofyouJune7screenshot-distrokid.com-2024.06-624x350.png 624w\" sizes=\"auto, (max-width: 1011px) 100vw, 1011px\" \/><figcaption><a href=\"https:\/\/www.mixcloud.com\/joe-viglione\/lots-of-you-in-my-life-mastered-by-rob-fraboni-june-7-2024-joe-viglione-music\/?utm_source=notification&amp;utm_medium=email&amp;utm_campaign=notification_new_upload&amp;utm_content=html\">https:\/\/www.mixcloud.com\/joe-viglione\/lots-of-you-in-my-life-mastered-by-rob-fraboni-june-7-2024-joe-viglione-music\/?utm_source=notification&amp;utm_medium=email&amp;utm_campaign=notification_new_upload&amp;utm_content=html<\/a><\/figcaption><\/figure>\n\n\n\n<p><strong><em>Lots of You in My Life, the new single from Joe Viglione<\/em><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed-mixcloud wp-block-embed is-type-rich is-provider-mixcloud wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Lots Of You In My Life Mix 1 May 26 2024 Count Viglione\" width=\"100%\" height=\"120\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2Fjoe-viglione%2Flots-of-you-in-my-life-mix-1-may-26-2024-count-viglione%2F&amp;hide_cover=1\" frameborder=\"0\" allow=\"encrypted-media; fullscreen; autoplay; idle-detection; speaker-selection; web-share;\"><\/iframe>\n<\/div><figcaption> <br>Mon, May 27 at 12:40 AM<br><strong>Great chorus old chap<br>Sent from Peter Noone&nbsp; &#8211; Herman&#8217;s Hermits<\/strong> <br><strong><br> Sun, Apr 7 at 4:24 PM<br>Joe you still got it. I mean that&nbsp;<br>Richard Sullivan&nbsp;<br>Superintendent<br>Transit Police Department&nbsp; (MBTA)<\/strong><br>Spotify <a href=\"https:\/\/open.spotify.com\/album\/0VlAVBxvXSUxVbbywstaoO\"><br> https:\/\/open.spotify.com\/album\/0VlAVBxvXSUxVbbywstaoO<\/a><br>Click here: <a href=\"https:\/\/tinyurl.com\/lotsofyouinmylifemix1\"><br>https:\/\/tinyurl.com\/lotsofyouinmylifemix1 <\/a><br>YouTube<a href=\"http:\/\/YouTube https:\/\/www.youtube.com\/watch?v=rixPwKyF4FE\"><br>https:\/\/www.youtube.com\/watch?v=rixPwKyF4FE <\/a><br><br><a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/soundcloud.com\/joe-viglione\/lots-of-you-in-my-life?si=f4fda431542a40e2bb72316872aebc46&amp;utm_source=clipboard&amp;utm_medium=text&amp;utm_campaign=social_sharing\">Lots Of You in My Life by Joe Viglione<\/a><br><strong>&nbsp;ASCAP<\/strong><br> LOTS OF YOU IN MY LIFE <br>              Has been registered.<br>  The work ID is: 925271967      <strong><br><br>Spring and summer unfolding<br>you&#8217;re the one I love holding<br>it&#8217;s hardly coincidence<br>when it was meant to be<br>Riding up to the coast of Maine<br>The sun breaking through<br>just a little bit of rain<br>I&#8217;m so happy when it&#8217;s me and you<br><br>Lots of you in my life<br>I got lots of you in my life<br>holding you tight<\/strong><br>in the middle of the night<br><strong><br>lots of you in my<br>(Guitar solo by the brilliant Peter Calo)<\/strong><br><br><strong>Picture perfect day, what could compare?<\/strong><br><strong>Maybe we&#8217;ll go ride with the Chestnut Mare<\/strong><br><strong>or sit on the wall, and watch the water so blue<\/strong><br><strong>aw man, just me and you<\/strong><br><br><strong>Spring and summer, they&#8217;re unfolding<\/strong><br><strong>you I&#8217;m, you i&#8217;m, you I&#8217;m holding<\/strong><br><br><strong>Yeah we got lots of love in our lives<\/strong><br><strong>Spring and summer summer unfolding<\/strong><br><strong>Lots of you in my life&nbsp;<\/strong><br><strong>Lots of you in my<\/strong> <br><br>Thanks to a Government Grant from the Masa Cultural Council <br><br>Soundcloud<br>Mixcloud<br>Reverb Nation <br>YouTube<a href=\"http:\/\/youtube%20https\/\/www.youtube.com\/watch?v=rixPwKyF4FE\"><br>https:\/\/www.youtube.com\/watch?v=rixPwKyF4FE <\/a> <br> single has been submitted to stores.<br><strong>single title:<\/strong>&nbsp;Lots of You in My Life (Special Version Mix 1 May 26 2024)<br><br><strong>Number of songs:<\/strong>&nbsp;1<br><strong>Stores:<\/strong>&nbsp;Amazon, Anghami, Apple Music, MediaNet, Boomplay, Deezer, Instagram\/Facebook, Adaptr, Flo, YouTube Music, iHeartRadio, Claro M\u00fasica, iTunes, Joox, Kuack Media, NetEase, Qobuz, Pandora, Saavn, Snapchat, Spotify, Tencent, Tidal and TikTok &amp; other ByteDance stores<br>Now that stores have the single, here&#8217;s how long they usually take to make it live (unless you specified a release date that&#8217;s in the future):<br><strong>iTunes\/Apple Music<\/strong>: 1-7 days or sooner. Often same-day. A small percentage of albums go through manual review at Apple, which takes an additional 16 business days.<br><strong>Spotify<\/strong>: Up to 5 days<br><strong>YouTube Music<\/strong>: About 3 days<br><strong>Pandora<\/strong>: 1-2 weeks (curated, though)<br><strong>Amazon<\/strong>: 2-4 days<br><strong>Deezer<\/strong>: 1-2 weeks <\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/SafeILotsofYouInMyLifersz_438729939_10161761967484664_3001637767036212962_n-1024x1024.png\" alt=\"\" class=\"wp-image-2899\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/SafeILotsofYouInMyLifersz_438729939_10161761967484664_3001637767036212962_n-1024x1024.png 1024w, https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/SafeILotsofYouInMyLifersz_438729939_10161761967484664_3001637767036212962_n-300x300.png 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/SafeILotsofYouInMyLifersz_438729939_10161761967484664_3001637767036212962_n-150x150.png 150w, https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/SafeILotsofYouInMyLifersz_438729939_10161761967484664_3001637767036212962_n-768x768.png 768w, https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/SafeILotsofYouInMyLifersz_438729939_10161761967484664_3001637767036212962_n-1536x1536.png 1536w, https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/SafeILotsofYouInMyLifersz_438729939_10161761967484664_3001637767036212962_n-2048x2048.png 2048w, https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/SafeILotsofYouInMyLifersz_438729939_10161761967484664_3001637767036212962_n-624x624.png 624w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Lots Of You in My Life by Joe Viglione<\/h2>\n\n\n\n<p>BTD RADIO, CALIFORNIA REVIEW FROM MATT ZIN<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright\"><img decoding=\"async\" src=\"https:\/\/btdradio.com\/wp-content\/uploads\/2024\/06\/Joe-Viglione-Lots-of-You.png\" alt=\"\" class=\"wp-image-7959\"\/><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/btdradio.com\/wp-content\/uploads\/2024\/06\/Screenshot-2024-05-26-at-21-45-27-Home-\u2013-Mass-Cultural-Council.png\" alt=\"\" class=\"wp-image-7958\"\/><\/figure>\n\n\n\n<p>Joe Viglione\u2019s latest track, \u201cLots Of You in My Life,\u201d from the album\n \u201cElegant Decadence\u201d, emerges as a heartfelt testament to the joy and \nwarmth found in companionship. With Viglione at the helm of composition \nand vocals, supported by the skilled production of Joe Viglione, Peter \nCalo and engineer Larry Lessard. This song exudes an infectious energy \nthat captivates listeners from the very first note.<\/p>\n\n\n\n<p>The track opens with Joe singing about the love he is holding. \nSetting the tone for love in the air. &nbsp;Viglione\u2019s vocals carry a playful\n charm, infusing each lyric with genuine emotion. As he croons lines \nlike \u201cLots of you in my life, I got lots of you in my life,\u201d there\u2019s an \nundeniable sense of joy and gratitude that permeates the song. Another \njewel added in this track is a dynamic guitar solo that carry\u2019s us \nthrough the depths of affection of Joes composition.<\/p>\n\n\n\n<p>One of the standout features of \u201cLots Of You in My Life\u201d is its \ncatchy chorus, which serves as an anthem to the bond shared between \nlovers. The repetition of the titular phrase is both comforting and \ncelebratory, echoing the sentiment of holding a loved one close \u201cin the \nmiddle of the night.\u201d<\/p>\n\n\n\n<p>Amidst Viglione\u2019s spirited vocal delivery, the instrumentation \nshines, with a beautiful piano accompaniment adding depth and richness \nto the overall sound. The seamless integration of various musical \nelements demonstrates the craftsmanship behind the production, resulting\n in a polished and cohesive composition.<\/p>\n\n\n\n<p>At its core, \u201cLots Of You in My Life\u201d is a testament to the enduring \npower of love and companionship. Through his music, Joe Viglione invites\n listeners to revel in the simple pleasures of togetherness, reminding \nus of the beauty found in human connection.<\/p>\n\n\n\n<p>\u201cLots Of You in My Life\u201d stands as a vibrant ode to affection, \nbrimming with infectious energy and heartfelt sincerity. With its catchy\n chorus, playful vocals, and beautiful instrumentation, this track is \nsure to leave a lasting impression on audiences, serving as a timeless \nreminder of the boundless joy found in love.<\/p>\n\n\n\n<p>Joe thanks the Mass. Cultural Council for the grant for this production.<\/p>\n\n\n\n<figure class=\"wp-block-embed-spotify wp-block-embed is-type-rich is-provider-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Lots of You in My Life (Special Version Mix 1 May 26 2024)\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/0VlAVBxvXSUxVbbywstaoO?utm_source=oembed\"><\/iframe>\n<\/div><figcaption><strong>Spotify  Lots of You in My Life Posted June 3, 2024 <\/strong><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/joeviglione1985_EuphoriaSafeimagekit-resized-img4-1024x1024.png\" alt=\"\" class=\"wp-image-2916\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/joeviglione1985_EuphoriaSafeimagekit-resized-img4-1024x1024.png 1024w, https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/joeviglione1985_EuphoriaSafeimagekit-resized-img4-300x300.png 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/joeviglione1985_EuphoriaSafeimagekit-resized-img4-150x150.png 150w, https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/joeviglione1985_EuphoriaSafeimagekit-resized-img4-768x768.png 768w, https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/joeviglione1985_EuphoriaSafeimagekit-resized-img4-1536x1536.png 1536w, https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/joeviglione1985_EuphoriaSafeimagekit-resized-img4-2048x2048.png 2048w, https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/06\/joeviglione1985_EuphoriaSafeimagekit-resized-img4-624x624.png 624w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p> Joe Viglione\u2019s recordings stretch back 53 years to when WBCN first aired \u201cSalt Water Summers\u201d in 1971, 1972.  <a href=\"https:\/\/www.mixcloud.com\/joe-viglione\/lots-of-you-in-my-life-mix-1-may-26-2024-count-viglione\/\">https:\/\/www.mixcloud.com\/joe-viglione\/lots-of-you-in-my-life-mix-1-may-26-2024-count-viglione\/  <\/a>   In 1976 he released that song on an EP and was signed to Flamingo\/Carrere in 1978, a label with Phyllis Nelson and heavy metal band Saxon.  In 1980 Flamingo became New Rose\/RCA and New Rose\/Musidisc.  Joe signed Willie \u201cLoco\u201d Alexander and Johnny Thunders of the NY Dolls, produced by Jimmy Miller.  Viglione became Miller\u2019s manager and they worked with Buddy Guy, Joe Perry of Aerosmith, Nils Lofgren of Springsteen\u2019s band and many others.  Miller produced Joe\u2019s classic The Intuition Element album.  Miller introduced Viglione to Keith Richards, who introduced Joe to Eric Clapton\/Rolling Stones producer Rob Fraboni in 1988.  Fraboni and Viglione have worked together since then.  With 118 songs on ASCAP and 333 tracks on Spotify, Playboy Magazine calling Joe one of Boston\u2019s Five Best Bands, Creem magazine posting Viglione early on before other Boston acts, and Best Record of the Month in Phonograph Magazine (California) and L&#8217;Attendant (Belgium)the music keeps on flowing.   Viglione performs weekly piano concerts on Fridays and writes many, many songs in the middle of the night in the piano room, three doors down from his apartment.  The prestigious Rock and Folk Magazine in Paris, France called Joe one of the &#8220;Crazy Geniuses of Rock and Roll&#8221; along with Phil Spector, Frank Zappa  <\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2024\/01\/CantWaitCD_Coversmile-cd-cover-no-marks-300x300-1.jpg\" alt=\"\" class=\"wp-image-2888\" width=\"978\" height=\"978\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/01\/CantWaitCD_Coversmile-cd-cover-no-marks-300x300-1.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2024\/01\/CantWaitCD_Coversmile-cd-cover-no-marks-300x300-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 978px) 100vw, 978px\" \/><\/figure>\n\n\n\n<p><strong><em>Can&#8217;t Wait to See You Smile by Songwriter Joe Viglione (ASCAP)<\/em><\/strong><\/p>\n\n\n\n<p>Hear the song on Spotify :  <a href=\"https:\/\/open.spotify.com\/track\/3pocTI9UK3eYr5ZjDdf8LE\">https:\/\/open.spotify.com\/track\/3pocTI9UK3eYr5ZjDdf8LE<\/a><\/p>\n\n\n\n<p>Read a review here:<\/p>\n\n\n\n<figure class=\"wp-block-embed-wordpress wp-block-embed is-type-wp-embed is-provider-btd-radio\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"VdBbhjcbwX\"><a href=\"https:\/\/btdradio.com\/2022\/11\/23\/btd-reviews-joe-viglione-song-cant-wait-see-you-smile\/\">BTD Reviews Joe Viglione song Can&#8217;t Wait To See You Smile<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;BTD Reviews Joe Viglione song Can&#8217;t Wait To See You Smile&#8221; &#8212; BTD Radio\" src=\"https:\/\/btdradio.com\/2022\/11\/23\/btd-reviews-joe-viglione-song-cant-wait-see-you-smile\/embed\/#?secret=2Hocmv50Pn#?secret=VdBbhjcbwX\" data-secret=\"VdBbhjcbwX\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><figcaption><br><br><strong>Join me on Twitter  Joe Viglione<br>@JoeViglione  <a href=\"https:\/\/twitter.com\/JoeViglione\">https:\/\/twitter.com\/JoeViglione<\/a><\/strong><br>  <br>Instagram<br><a href=\"https:\/\/www.instagram.com\/viglionejoe\/\">https:\/\/www.instagram.com\/viglionejoe\/<\/a><br><a href=\"https:\/\/www.instagram.com\/joeviglione\">https:\/\/www.instagram.com\/joeviglione<\/a><br><br>Facebook<br><a href=\"https:\/\/www.facebook.com\/JoeViglione\/\">https:\/\/www.facebook.com\/JoeViglione\/<\/a><br><br>Pinterest<a href=\"https:\/\/www.pinterest.com\/joev1326\/\"><br>https:\/\/www.pinterest.com\/joev1326\/<\/a><\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong><em>Special notice: We have moved. <\/em><\/strong><br>The P.O. Box shut down 12\/1\/23.  Contact: demodeal@yahoo.com<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JV-CARD-BACK-1024x684.png\" alt=\"\" class=\"wp-image-2750\" width=\"796\" height=\"531\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JV-CARD-BACK-1024x684.png 1024w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JV-CARD-BACK-300x200.png 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JV-CARD-BACK-768x513.png 768w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JV-CARD-BACK-624x417.png 624w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JV-CARD-BACK.png 1356w\" sizes=\"auto, (max-width: 796px) 100vw, 796px\" \/><figcaption>Graphics: Shawn Fahey, Photo: Joe Viglione 9\/10\/21<\/figcaption><\/figure>\n\n\n\n<p><strong>A Publicity Company <\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Demo That Got The Deal \u2122   Radio<\/h2>\n\n\n\n<p>demodeal@yahoo.com <\/p>\n\n\n\n<p>Listen to Non-Visual Radio Friday nights 8 pm on <a href=\"http:\/\/www.activatemedia.org\">www.activatemedia.org<\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JV-CARD-FRONT-1024x595.png\" alt=\"\" class=\"wp-image-2751\" width=\"793\" height=\"461\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JV-CARD-FRONT-1024x595.png 1024w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JV-CARD-FRONT-300x174.png 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JV-CARD-FRONT-768x446.png 768w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JV-CARD-FRONT-624x363.png 624w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JV-CARD-FRONT.png 1051w\" sizes=\"auto, (max-width: 793px) 100vw, 793px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">a few quotes:<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Established in 1976, the Boston Globe calls Joe Viglione &#8220;Boston&#8217;s hardest working underground impresario.&#8221; WBCN Program Director stated &#8220;The hardest working man in Boston Rock and Roll&#8221; at a dinner with Pete Shelley of the Buzzcocks.<\/h2>\n\n\n\n<p>Former business partner and former #1 DJ in Boston when he was at WZLX, Harvey Wharfield wrote this:  Thu, Feb 3 2022 at 9:56 AM &#8220;Joe&#8230;Whoever coined the phrase&#8221; &#8220;The hardest working man in show business !&#8221;NEVER FORESAW A GUY LIKE YOU !&#8221;      <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">DJ Lou Spinnazola on the 2 part   Jimi Hollis interview:  8 pm Friday Feb 4 2022   &#8220;What a great interview. You guys are great together. Joe is a  fascinating guy who truly loves music. He\u2019s an encyclopedia of music and  an inspiration to dig deep into more music. And I am blown away at you  guys mentioning me in the interview. I am flattered at all the kind  words! &#8220;<\/h2>\n\n\n\n<p> I love the chemistry you and Joe have got going. Joe is such an amazing guy. He\u2019s always busy doing what he loves. The way he\u2019s rattling off the names and relationships is going to take more listens to get all the gems. Outstanding! Thanks for a great interview, guys!&#8221; Lou Spinnazola<\/p>\n\n\n\n\n\n<h2 class=\"wp-block-heading\">ALVIN LEE&#8217;S ZOOM!<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Alvin Lee, George Harrison and Deep Purple\u2019s Jon Lord\u2026such an HONOR to work this CD! Top 25 regionally in Billboard, 1992, when they had regional charts! Thanks to WBCN, WCGY, WBOS!<\/strong> <\/h2>\n\n\n\n<p>Promotion by Joe Viglione, A &amp; R Northeast, Domino Records, NYC 1992<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Lee_Alvin71RdKqaLUiL._SS500_.jpg\" alt=\"\" class=\"wp-image-2548\" width=\"648\" height=\"648\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Lee_Alvin71RdKqaLUiL._SS500_.jpg 500w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Lee_Alvin71RdKqaLUiL._SS500_-300x300.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Lee_Alvin71RdKqaLUiL._SS500_-150x150.jpg 150w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><figcaption><strong>Extraordinary Public Relations <\/strong><\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Legendary Bobby Hebb, composer of &#8220;Sunny,&#8221; co-writer A Natural Man, Grammy-winner, genius, and good friend.<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/sUNNYindex.jpg\" alt=\"\" class=\"wp-image-2549\" width=\"663\" height=\"663\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/sUNNYindex.jpg 225w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/sUNNYindex-150x150.jpg 150w\" sizes=\"auto, (max-width: 663px) 100vw, 663px\" \/><\/figure>\n\n\n\n<p><strong><em>YOU&#8217;VE GOT ONE HELL OF A PUBLICIST&#8221;<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>&nbsp; &nbsp;IMPRESARIO BILL MILLER&#8230;<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>&nbsp; &nbsp;THE MAN WHO BROUGHT ELVIS TO VEGAS<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>&nbsp; &nbsp;FATHER OF ROLLING STONES PRODUCER<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>&nbsp; &nbsp;JIMMY MILLER<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>SEE JUST SOME OF JV&#8217;S WORK OVER THE PAST 46 YEARS<\/em><\/strong><\/p>\n\n\n\n<p><strong><em>HERE<\/em><\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/clubbohemianews.blogspot.com\/2022\/01\/arguably-best-record-promotion-for.html\">https:\/\/clubbohemianews.blogspot.com\/2022\/01\/arguably-best-record-promotion-for.html<\/a><\/p>\n\n\n\n<p>&nbsp; &nbsp;&#8230;&nbsp;<strong><em>from Bon Jovi&#8217;s first Boston show to Tesla&#8217;s SIGNS on Geffen Records, Extreme when they were The Dream, to Rolling Stone Mick Taylor&#8217;s Stranger in This Town CD and Hard Rock Cafe Show, Alvin Lee of Ten Years After with George Harrison and Deep Purple&#8217;s Jon Lord, and so many more, Ian Lloyd&#8217;s Stories, Spanky and Our Gang, Buzzy Linhart and Moogy Klingman  writers of &#8220;(You Got to Have) FRIENDS&#8221; (Bette Midler&#8217;s signature tune,) Moulty and the Barbarians release of rare music on my Varulven label and Moulty&#8217;s p.r. for The TAMI show DVD (featuring Beach Boys, Rolling Stones, Supremes, Lesley Gore, etc,) Rusty Kershaw with Neil Young, Mercury and Pye singer Jo Jo Laine and The Firm featuring Sting and Andy Summers of The Police (Jo Jo on PYE)&#8230;as well as Ray Fenwick of Fancy (Jo Jo on Mercury,) Denny Laine of the Moody Blues\/McCartney and Wings (Hard Rock Cafe show in Boston,)&nbsp; Danny Klein of the platinum-selling J Geils Band, &nbsp;Moe Tucker and Willie Alexander of The Velvet Underground, Grammy winner Bobby &#8220;Sunny&#8221; Hebb,&nbsp; legendary platinum songwriter Harriet Schock produced by Beach Boys\/Andre Previn producer Nik Venet, legendary blues singer Genya Ravan,  Ferron, Theresa Trull and Barbara Higbie, opened for Phranc (Gay Pride Worcester, 1998,) represented and promoted Spirit Featuring Randy California and Ed Cassidy and their TIME CIRCLE on Epic\/Sony, Rock and Roll Hall of Fame Artist Marty Balin of Jefferson Airplane\/Jefferson Starship, Wayne Wadhams and The Fifth Estate (the highest charting Wizard of Oz song in the 1960s with &#8220;Ding Dong the Witch is Dead&#8221;) John Mooney with Ivan Neville, Hubert Sumlin (with Keith Richards, David Johansen, Levon Helm, James Cotton, Eric Clapton) &#8230;production and promotion of&nbsp; Grammy Winner Buddy Guy (1986\/1987) featuring Nils Lofgren, Aerosmith&#8217;s Joe Perry and Genya Ravan, promoted Tony Rocks &#8211; guitarist for Jonzun Crew and on record &#8212; New Kids on the Block, Peter Wolf &#8212;both featuring the magic of Tony Rocks, managed Michael Jonzun&#8217;s Mission Control studio in 1988 (New Kids, Jonzun Crew) working with Bonnie Bramlett (of Delaney and Bonnie) and Danny Sheridan, as well as Nu Cliche and Pure Passion;  production consultant on a Buzzcocks live album featuring Pete Shelley on R.O.I.R. cassettes, edited Willie Alexander&#8217;s Greatest Hits with Karen Kane at Euphoria for New Rose Records, promotion for Australia Sun Records (Audioscam featuring Brian Pitcher and Brad Wallace, David Hudson with Irene Cara (of 80&#8217;s hits &#8220;Fame,&#8221; Flashdance (What a Feeling) notoriety,) Jamaican artists Spanner Banner (brother of Richie Spice, Meta and the Cornerstones, as well as New York&#8217;s Stacie Rose, Peter Calo and many, many more<\/em><\/strong>, of course.  Built &#8220;Sunny: The Bobby Hebb Story&#8221; boxed set over a five year period. Write content for  <a href=\"http:\/\/www.bobbyhebbstudio.com\">http:\/\/www.bobbyhebbstudio.com<\/a><\/p>\n\n\n\n<pre class=\"wp-block-preformatted\">CHECK OUT BOBBY HEBB'S HISTORICALLY IMPORTANT (AND FUN) WEBSITE \nEDITED BY JOE VIGLIONE<\/pre>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"http:\/\/www.bobbyhebbstudio.com\"> www.bobbyhebbstudio.com <\/a><\/h2>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Quoted in New York Times (Hendrix)   Boston Globe (Hendrix)  Radio &amp; Records (Ian Hunter&#8217;s Rant)<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/StrangerinthisTown61mjpMl4n7L._SX522_.jpg\" alt=\"\" class=\"wp-image-2553\" width=\"694\" height=\"694\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/StrangerinthisTown61mjpMl4n7L._SX522_.jpg 522w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/StrangerinthisTown61mjpMl4n7L._SX522_-300x300.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/StrangerinthisTown61mjpMl4n7L._SX522_-150x150.jpg 150w\" sizes=\"auto, (max-width: 694px) 100vw, 694px\" \/><\/figure>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;* &nbsp;<\/p>\n\n\n\n<p>Joe Viglione \/ Varulven Records<br>tel 617 899 5926&nbsp;&nbsp;<br><a href=\"http:\/\/www.joeviglione.com\">http:\/\/www.joeviglione.com<\/a><br><a href=\"http:\/\/www.visual-radio.net\">http:\/\/www.visual-radio.net<\/a>&nbsp;<\/p>\n\n\n\n<p>email: demodeal@yahoo.com<\/p>\n\n\n\n<p>The Demo That Got the Deal Radio Show \u2122 <\/p>\n\n\n\n<p><strong><em>&nbsp; &nbsp;#JoeViglioneMedia has promoted some of the greatest rock and roll artists in history.<\/em><\/strong><br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Boston RR Anthology #21                 Now at retail               <a href=\"http:\/\/joeviglione.com\/?p=1796\">http:\/\/joeviglione.com\/?p=1796<\/a><\/h2>\n\n\n\n<figure class=\"wp-block-embed-wordpress wp-block-embed is-type-wp-embed is-provider-joeviglione-com\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"I8Wje3L12G\"><a href=\"https:\/\/joeviglione.com\/?page_id=1865\">Boston Rock and Roll Anthology Chapter #21     LINK:<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Boston Rock and Roll Anthology Chapter #21     LINK:&#8221; &#8212; JoeViglione.com\" src=\"https:\/\/joeviglione.com\/?page_id=1865&#038;embed=true#?secret=95aIWzgujI#?secret=I8Wje3L12G\" data-secret=\"I8Wje3L12G\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"663\" height=\"1024\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/aNTHOLOGY21ebay1-663x1024-1.jpg\" alt=\"\" class=\"wp-image-2772\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/aNTHOLOGY21ebay1-663x1024-1.jpg 663w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/aNTHOLOGY21ebay1-663x1024-1-194x300.jpg 194w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/aNTHOLOGY21ebay1-663x1024-1-624x964.jpg 624w\" sizes=\"auto, (max-width: 663px) 100vw, 663px\" \/><\/figure>\n\n\n\n<p>Facebook<br><a href=\"https:\/\/www.facebook.com\/JoeViglione\/\">https:\/\/www.facebook.com\/JoeViglione\/<\/a><\/p>\n\n\n\n<p>Instagram<br><a href=\"https:\/\/www.instagram.com\/joeviglione\">https:\/\/www.instagram.com\/joeviglione<\/a><\/p>\n\n\n\n<p>Twitter<br>@JoeViglione<a href=\"https:\/\/twitter.com\/JoeViglione\"><br>https:\/\/twitter.com\/JoeViglione<\/a><\/p>\n\n\n\n<p>Instagram 2<a href=\"https:\/\/www.instagram.com\/viglioneJoe\/\"><br>https:\/\/www.instagram.com\/viglioneJoe\/<\/a><\/p>\n\n\n\n<p>Main website<a href=\"http:\/\/www.joeviglione.com\"><br>http:\/\/www.joeviglione.com&nbsp; &nbsp; <\/a>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JV5MickTaylordownload-2-1.jpg\" alt=\"\" class=\"wp-image-2578\" width=\"468\" height=\"468\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JV5MickTaylordownload-2-1.jpg 225w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JV5MickTaylordownload-2-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 468px) 100vw, 468px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">with Mick Taylor, Rolling Stone<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JVBurtonCummings8images-1-1.jpg\" alt=\"\" class=\"wp-image-2579\" width=\"538\" height=\"388\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">with Burton Cummings,                      The Guess Who<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/jvdennis-lehane-visual-radio-1999-1.jpg\" alt=\"\" class=\"wp-image-2581\" width=\"648\" height=\"495\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/jvdennis-lehane-visual-radio-1999-1.jpg 304w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/jvdennis-lehane-visual-radio-1999-1-300x229.jpg 300w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">with Dennis Lehane, author<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JV3Felixavatars-000363558548-kro0id-t500x500-1.jpg\" alt=\"\" class=\"wp-image-2582\" width=\"737\" height=\"737\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JV3Felixavatars-000363558548-kro0id-t500x500-1.jpg 500w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JV3Felixavatars-000363558548-kro0id-t500x500-1-300x300.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JV3Felixavatars-000363558548-kro0id-t500x500-1-150x150.jpg 150w\" sizes=\"auto, (max-width: 737px) 100vw, 737px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">with Felix Cavaliere, the Rascals<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/RobGronkowskiimages.jpg\" alt=\"\" class=\"wp-image-2584\" width=\"714\" height=\"535\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Rob Gronkowski, Bob Hydlburg and Joe Viglione <\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/peternoone-hermanimages-3.jpg\" alt=\"\" class=\"wp-image-2586\" width=\"622\" height=\"466\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">with Peter Noone,                            Herman&#8217;s Hermits<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/FelicityJones-maxresdefault.jpg\" alt=\"\" class=\"wp-image-2587\" width=\"791\" height=\"445\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/FelicityJones-maxresdefault.jpg 1024w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/FelicityJones-maxresdefault-300x169.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/FelicityJones-maxresdefault-768x432.jpg 768w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/FelicityJones-maxresdefault-624x351.jpg 624w\" sizes=\"auto, (max-width: 791px) 100vw, 791px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">actress Felicity Jones, Star Wars                    Director <a href=\"https:\/\/www.imdb.com\/name\/nm2035886\/?ref_=tt_ov_dr\">Drake Doremus<\/a> <\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">on Visual Radio<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/SarhKarloffimages-3.jpg\" alt=\"\" class=\"wp-image-2588\" width=\"620\" height=\"464\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">with Sarah Karloff,                              daughter of Boris Karloff<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JVbrad-meltzer-1.jpg\" alt=\"\" class=\"wp-image-2590\" width=\"589\" height=\"785\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JVbrad-meltzer-1.jpg 240w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JVbrad-meltzer-1-225x300.jpg 225w\" sizes=\"auto, (max-width: 589px) 100vw, 589px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">with Brad Meltzer @ BookExpo<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Bob_maxresdefault-1024x576.jpg\" alt=\"\" class=\"wp-image-2592\" width=\"855\" height=\"481\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Bob_maxresdefault-1024x576.jpg 1024w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Bob_maxresdefault-300x169.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Bob_maxresdefault-768x432.jpg 768w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Bob_maxresdefault-624x351.jpg 624w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Bob_maxresdefault.jpg 1280w\" sizes=\"auto, (max-width: 855px) 100vw, 855px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">with Judge Bob Somma                         Editor of Fusion Magazine<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/chetslastcallhqdefault.jpg\" alt=\"\" class=\"wp-image-2594\" width=\"825\" height=\"619\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/chetslastcallhqdefault.jpg 480w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/chetslastcallhqdefault-300x225.jpg 300w\" sizes=\"auto, (max-width: 825px) 100vw, 825px\" \/><figcaption>Performing at Chet&#8217;s Last Call in the 1980s<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/artworks-000380142024-9s37j8-t500x500.jpg\" alt=\"\" class=\"wp-image-2596\" width=\"892\" height=\"892\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/artworks-000380142024-9s37j8-t500x500.jpg 500w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/artworks-000380142024-9s37j8-t500x500-300x300.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/artworks-000380142024-9s37j8-t500x500-150x150.jpg 150w\" sizes=\"auto, (max-width: 892px) 100vw, 892px\" \/><figcaption>Performing at JUMBO&#8217;S, Opening for The Guess Who<br>Photo by Rocco Cippollone <\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/artworks-nONRaHcwapJAqQyo-mYn0QA-t500x500.jpg\" alt=\"\" class=\"wp-image-2598\" width=\"930\" height=\"930\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/artworks-nONRaHcwapJAqQyo-mYn0QA-t500x500.jpg 500w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/artworks-nONRaHcwapJAqQyo-mYn0QA-t500x500-300x300.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/artworks-nONRaHcwapJAqQyo-mYn0QA-t500x500-150x150.jpg 150w\" sizes=\"auto, (max-width: 930px) 100vw, 930px\" \/><figcaption>Boston Phoenix, Opening for Mick Taylor at The Paradise<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JVonradio7IxXVVhYz_400x400.jpg\" alt=\"\" class=\"wp-image-2600\" width=\"739\" height=\"739\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JVonradio7IxXVVhYz_400x400.jpg 269w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JVonradio7IxXVVhYz_400x400-150x150.jpg 150w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption>Radio Host Joe Viglione<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JVDr-Ruth-1.jpg\" alt=\"\" class=\"wp-image-2604\" width=\"660\" height=\"495\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JVDr-Ruth-1.jpg 320w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JVDr-Ruth-1-300x225.jpg 300w\" sizes=\"auto, (max-width: 660px) 100vw, 660px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">with Dr. Ruth <\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/anthonyJamesmqdefault-1.jpg\" alt=\"\" class=\"wp-image-2605\" width=\"680\" height=\"383\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/anthonyJamesmqdefault-1.jpg 320w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/anthonyJamesmqdefault-1-300x169.jpg 300w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">with Anthony James, actor<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/rsz_normanghows-wl-658f0e4a-405d-4ccf-8ee2-fdac80a5da37-56ac0578.jpg\" alt=\"\" class=\"wp-image-2607\" width=\"808\" height=\"466\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/rsz_normanghows-wl-658f0e4a-405d-4ccf-8ee2-fdac80a5da37-56ac0578.jpg 589w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/rsz_normanghows-wl-658f0e4a-405d-4ccf-8ee2-fdac80a5da37-56ac0578-300x173.jpg 300w\" sizes=\"auto, (max-width: 808px) 100vw, 808px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">with Norman Greenbaum                Spirit in the Sky in Malden<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/In-Paradise030f-bce3-4bb8-8326-f133660ba93c-1024x536.jpg\" alt=\"\" class=\"wp-image-2609\" width=\"958\" height=\"501\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/In-Paradise030f-bce3-4bb8-8326-f133660ba93c-1024x536.jpg 1024w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/In-Paradise030f-bce3-4bb8-8326-f133660ba93c-300x157.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/In-Paradise030f-bce3-4bb8-8326-f133660ba93c-768x402.jpg 768w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/In-Paradise030f-bce3-4bb8-8326-f133660ba93c-624x327.jpg 624w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/In-Paradise030f-bce3-4bb8-8326-f133660ba93c.jpg 1200w\" sizes=\"auto, (max-width: 958px) 100vw, 958px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">49th Show @ The Paradise with Denny Dias of Steely Dan\/guitar  John Morelli of Cyndi Lauper\/drums<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/rsz_bonjovi272190144_675379813594742_4675600491773271022_n.jpg\" alt=\"\" class=\"wp-image-2627\" width=\"1014\" height=\"412\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/rsz_bonjovi272190144_675379813594742_4675600491773271022_n.jpg 740w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/rsz_bonjovi272190144_675379813594742_4675600491773271022_n-300x122.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/rsz_bonjovi272190144_675379813594742_4675600491773271022_n-624x254.jpg 624w\" sizes=\"auto, (max-width: 1014px) 100vw, 1014px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">1985 Joe Viglione promoted Bon Jovi&#8217;s first Boston show in Paradise         with Jet Screamer, Smuggler and Dorian Grey<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/rsz_jojo272686897_10160115816989664_5669290393178471991_n.jpg\" alt=\"\" class=\"wp-image-2626\" width=\"881\" height=\"913\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/rsz_jojo272686897_10160115816989664_5669290393178471991_n.jpg 674w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/rsz_jojo272686897_10160115816989664_5669290393178471991_n-289x300.jpg 289w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/rsz_jojo272686897_10160115816989664_5669290393178471991_n-624x647.jpg 624w\" sizes=\"auto, (max-width: 881px) 100vw, 881px\" \/><\/figure>\n\n\n\n<p>Harvey Wharfield (blue jacket,) Paul Lemieux (white shirt, red tie,) both of WZLX radio.  I was Mr. Wharfield&#8217;s business partner at Mentor Music Group, and when he went to WCGY I produced the Boston Music Showcase (from 1991-1993,) was ad rep for CGY and consultant to PD Steve Becker. <\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Jo Jo Laine gives Hard Rock Cafe a GOLD record award from WINGS, &#8220;With a Little Luck&#8221; (P. McCartney)<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/HenryAlexRubinJoe-Viglione-Dennis-Lehane.jpg\" alt=\"\" class=\"wp-image-2612\" width=\"670\" height=\"502\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">with Henry Alex Rubin, Director<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Joe-V-lehane.jpg\" alt=\"\" class=\"wp-image-2613\" width=\"591\" height=\"443\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Author Dennis Lehane                     returns to Visual Radio<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/images-1.jpg\" alt=\"\" class=\"wp-image-2614\" width=\"843\" height=\"631\"\/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Joe Viglione @ The Paradise                    Paul Lovell on guitar<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JoeHarvard_FrankRowe336d-69a1-40e3-a08c-fb523d2e0725.jpg\" alt=\"\" class=\"wp-image-2618\" width=\"648\" height=\"648\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JoeHarvard_FrankRowe336d-69a1-40e3-a08c-fb523d2e0725.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/JoeHarvard_FrankRowe336d-69a1-40e3-a08c-fb523d2e0725-150x150.jpg 150w\" sizes=\"auto, (max-width: 648px) 100vw, 648px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Joe Harvard, Frank Rowe, Joe Vig                    Builders of Boston Music Scene<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-01-at-21-13-22-Joe-Viglione-JoeViglione-Twitter.png\" alt=\"\" class=\"wp-image-2620\" width=\"1114\" height=\"1850\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-01-at-21-13-22-Joe-Viglione-JoeViglione-Twitter.png 521w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-01-at-21-13-22-Joe-Viglione-JoeViglione-Twitter-181x300.png 181w\" sizes=\"auto, (max-width: 1114px) 100vw, 1114px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Photo Joe V 9\/10\/21 York Beach Maine<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Harriet-SchockPlatinum-Record-500.jpg\" alt=\"\" class=\"wp-image-2631\" width=\"914\" height=\"1143\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Harriet-SchockPlatinum-Record-500.jpg 500w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Harriet-SchockPlatinum-Record-500-240x300.jpg 240w\" sizes=\"auto, (max-width: 914px) 100vw, 914px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Harriet Schock Platinum album for Helen Reddy&#8217;s Greatest Hits,  I had the honor of working  promotion on Harriet&#8217;s ROSEBUD CD produced by Nik Venet  <a href=\"https:\/\/harrietschock.com\/songwriter\/\">https:\/\/harrietschock.com\/songwriter\/<\/a><\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Rosebud510WZvC58CL._SY445_SX342_QL70_ML2_.jpg\" alt=\"\" class=\"wp-image-2634\" width=\"614\" height=\"614\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Rosebud510WZvC58CL._SY445_SX342_QL70_ML2_.jpg 342w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Rosebud510WZvC58CL._SY445_SX342_QL70_ML2_-300x300.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Rosebud510WZvC58CL._SY445_SX342_QL70_ML2_-150x150.jpg 150w\" sizes=\"auto, (max-width: 614px) 100vw, 614px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Becoming-Remarkable-Book-Cover-300.jpg\" alt=\"\" class=\"wp-image-2635\" width=\"681\" height=\"1012\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Becoming-Remarkable-Book-Cover-300.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Becoming-Remarkable-Book-Cover-300-202x300.jpg 202w\" sizes=\"auto, (max-width: 681px) 100vw, 681px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Firmjo-jo-laineR-6130489-1411826362-1397.jpg\" alt=\"\" class=\"wp-image-2644\" width=\"913\" height=\"915\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Firmjo-jo-laineR-6130489-1411826362-1397.jpg 599w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Firmjo-jo-laineR-6130489-1411826362-1397-300x300.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Firmjo-jo-laineR-6130489-1411826362-1397-150x150.jpg 150w\" sizes=\"auto, (max-width: 913px) 100vw, 913px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/jo-jo-laine-hulk-poplar-hammer.jpg\" alt=\"\" class=\"wp-image-2645\" width=\"1085\" height=\"1085\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/jo-jo-laine-hulk-poplar-hammer.jpg 800w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/jo-jo-laine-hulk-poplar-hammer-300x300.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/jo-jo-laine-hulk-poplar-hammer-150x150.jpg 150w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/jo-jo-laine-hulk-poplar-hammer-768x768.jpg 768w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/jo-jo-laine-hulk-poplar-hammer-624x624.jpg 624w\" sizes=\"auto, (max-width: 1085px) 100vw, 1085px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">JV Recorded the Second to Last Show of Velvet Underground May 27 &#8217;73<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/D71lgtcXkAAT7xg-748x1024.jpg\" alt=\"\" class=\"wp-image-2639\" width=\"846\" height=\"1158\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/D71lgtcXkAAT7xg-748x1024.jpg 748w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/D71lgtcXkAAT7xg-219x300.jpg 219w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/D71lgtcXkAAT7xg-768x1051.jpg 768w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/D71lgtcXkAAT7xg-624x854.jpg 624w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/D71lgtcXkAAT7xg.jpg 828w\" sizes=\"auto, (max-width: 846px) 100vw, 846px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Moe Tucker&#8217;s first solo 45 ever, and subsequent E.P. released on Varulven 1980, 1985 Another View.   That was my title hijacked by Polygram for the follow-up to VU<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/30908-moe-tucker-another-view.jpg\" alt=\"\" class=\"wp-image-2641\" width=\"941\" height=\"941\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/30908-moe-tucker-another-view.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/30908-moe-tucker-another-view-150x150.jpg 150w\" sizes=\"auto, (max-width: 941px) 100vw, 941px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/s-l400.jpg\" alt=\"\" class=\"wp-image-2642\" width=\"895\" height=\"821\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/s-l400.jpg 400w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/s-l400-300x275.jpg 300w\" sizes=\"auto, (max-width: 895px) 100vw, 895px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">In 1995 I managed Spirit&#8217;s Ed Cassidy and Randy California. Connected EPIC Records with Randy for the release of TIME CIRCLE<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/SPIRIT_NATURESWAY91-412044.jpg\" alt=\"\" class=\"wp-image-2647\" width=\"977\" height=\"977\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/SPIRIT_NATURESWAY91-412044.jpg 500w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/SPIRIT_NATURESWAY91-412044-300x300.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/SPIRIT_NATURESWAY91-412044-150x150.jpg 150w\" sizes=\"auto, (max-width: 977px) 100vw, 977px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">JV put the Nature&#8217;s Way E.P. together with Randy and Ed via CD Review Magazine&#8217;s Wayne Green<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/timecircle71KNTXgA9cL._SY355_.jpg\" alt=\"\" class=\"wp-image-2648\" width=\"1083\" height=\"1083\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/timecircle71KNTXgA9cL._SY355_.jpg 355w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/timecircle71KNTXgA9cL._SY355_-300x300.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/timecircle71KNTXgA9cL._SY355_-150x150.jpg 150w\" sizes=\"auto, (max-width: 1083px) 100vw, 1083px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">LINER NOTES TO DIFFERENT ALBUMS<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/6476584.jpg\" alt=\"\" class=\"wp-image-2650\" width=\"1218\" height=\"1218\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/6476584.jpg 1024w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/6476584-300x300.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/6476584-150x150.jpg 150w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/6476584-768x768.jpg 768w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/6476584-624x624.jpg 624w\" sizes=\"auto, (max-width: 1218px) 100vw, 1218px\" \/><figcaption> Joe Viglione wrote the liner notes to the reissue of the legendary LIVE AT THE RAT, on CD @JoeViglione go to http:\/\/joeviglione.com\/ a division of #JoeViglioneMedia @rranimaltour  <br><br><br>In 2001 the legendary building that housed Boston&#8217;s infamous Rat was demolished, but this recording (catalog #528, same as the address for the establishment on Commonwealth Avenue in the heart of Boston) remains as evidence of what transpired in that &#8220;cellar full of noise.&#8221; Inspired by Hilly Kristal&#8217;s Live at CBGB&#8217;s, this is truly the companion double LP to that disc on Atlantic, though the Boston compilation came close but failed to obtain major-label release. Recorded September 27, 28, and 29th, 1976, at the dawn of the &#8220;new wave,&#8221; important and historic live recordings of some of the scenemakers live on within these grooves. Far from a definitive document &#8212; you won&#8217;t find early Jon Butcher, Charlie Farren, Fools, or Nervous Eaters here, despite the fact that the Eaters ruled at The Rat &#8212; but you will find classic Willie Alexander after his stint with the Velvet Underground and before his MCA deal (which came when Blue Oyster Cult wife\/rock critic Debbie Frost, played Alexander&#8217;s single on The Rat jukebox for producer Craig Leon). Along with Willie Loco there is very early DMZ, so early that the drummer is future member of The Cars, David Robinson, as well as an early, vintage version of Richard Nolan&#8217;s vital band Third Rail. This is the only place where you can find the original Susan with guitarists Tom Dickie and John Kalishes &#8212; years before Joan Jett guitarist Ricky Bird replaced Kalishes, and decades before John Kalishes joined the late Ben Orr of the Cars in solo projects in the 1990s. The rock history lesson is important to understand the impact of not only the musicians on this album, but the influence of the nightclub which spawned Live at the Rat. Willie Alexander&#8217;s manic &#8220;Pup Tune&#8221; is perhaps the most concise representation of the Rat sound &#8212; it is grunge, it is deranged, it is a no-holds barred performance which has been re-released on best-of compilations and treasured over the years as a true musical gem. Of the 19 tracks, Willie Alexander is the only artist who gets three cuts: &#8220;At the Rat,&#8221; the club&#8217;s anthem; the aforementioned tribute to Ronnie Spector that is &#8220;Pup Tune&#8221;; and a live version of the original Garage Records 45 which began this new phase of his career, his ode to &#8220;Kerouac.&#8221; Marc Thor, a legendary performer who never got a full album out, utilizes members of Thundertrain, DMZ, the Boize, and Third Rail for his &#8220;Circling L.A.,&#8221; co-written by scenemaker Nola Rezzo. Eventual Roulette recording artist Sass do &#8220;Rocking in the USA,&#8221; and, like Susan, and even Thundertrain, bring a more mainstream sound to the underground rock represented by the Boize, Third Rail, DMZ, the Infliktors, and the Real Kids. The Real Kids add &#8220;Who Needs You&#8221; and &#8220;Better Be Good&#8221; to the party, while this early Mono Mann phase has his &#8220;Ball Me Out&#8221; and &#8220;Boy From Nowhere&#8221; titles. Thundertrain crackle with &#8220;I&#8217;m So Excited&#8221; and &#8220;I Gotta Rock,&#8221; Mach Bell&#8217;s growl and stage antics the thing that made this otherwise suburban band an essential part of this scene. Bell would go on to front the Joe Perry Project on their final disc on MCA before Aerosmith reformed, and the resum\u00e9 action of some of these players makes their performances here all the more valuable. Loco Live 1976, an album which includes tracks by Willie Alexander recorded exactly one month before Live at the Rat, is available on a Tokyo label, Captain Trip Records, and it serves as a good glimpse of what was going on before this pivotal center of new sounds brought in tons of recording gear and taped for posterity a very magical period in Boston history. https:\/\/www.allmusic.com\/album\/release\/live-at-the-rat-mr0002020560?1643839587472 <\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">ANDY PRATT&#8217;S FIRST ALBUM ON POLYDOR, RECORDS ARE LIKE LIFE<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Records-Are-Like-Life.jpg\" alt=\"\" class=\"wp-image-2653\" width=\"1180\" height=\"1180\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Records-Are-Like-Life.jpg 200w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Records-Are-Like-Life-150x150.jpg 150w\" sizes=\"auto, (max-width: 1180px) 100vw, 1180px\" \/><\/figure>\n\n\n\n<p><a href=\"https:\/\/jvlinernotes.blogspot.com\/2005\/01\/records-are-like-life-andy-pratt.html\">https:\/\/jvlinernotes.blogspot.com\/2005\/01\/records-are-like-life-andy-pratt.html<\/a>    <\/p>\n\n\n\n<p><strong>RECORDS ARE LIKE LIFE  Liner Notes<\/strong><\/p>\n\n\n\n<p>Polydor \n24-4015 Stereo, Records Like Life,  was produced by Andy Pratt and \nAengus for Amphion Productions, Inc. It&#8217;s an eight song collection \nclocking in at a little over thirty-nine minutes featuring &#8220;Bella \nBella&#8221;, a tune  that was part of Andy&#8217;s live set, and the title track \n&#8220;Records +  Records (Records Are Like Life)&#8221; . In a June 1976 review of \nRESOLUTION by<br>Peter Herbst published in The Boston Phoenix he states \n&#8220;1971&#8217;s RECORDS ARE LIKE LIFE (Polydor) stirred nary a ripple and is now\n lost to time  (though Pratt has recently regained the masters)&#8221; while a\n July 3 1973 published interview with Ben Gerson notes: &#8220;After college \ncame RECORDS ARE LIKE LIFE, the master of which Pratt&#8217;s shrewd manager \nNat Weiss has<br>purchased from Polydor in order to avoid Polydor&#8217;s \ncapitalizing on  Andy&#8217;s Columbia success by re-releasing it. Now Pratt, \nWeiss,  and his producer ex-Earth Opera John Nagy can decide what they \nwish to do with it &#8211;re-release it themselves, re-cut some of the songs,\n or  forget about it. &#8221; &#8220;It may be a masterpiece, it may be swill&#8221; &#8221; \nponders  Andy&#8217;s road manager Buzzy. &#8221; &#8220;Whatever it is, we own it.&#8221; &#8221; \nEarlier in the  interview Gerson begins the piece by saying &#8220;For the \npast three years Andy Pratt has been an  intriguing local rumor, having \nrelease in 1970 a Polydor album entitled  RECORDS ARE LIKE LIFE whose \n5,000 copies soon wound up in the<br>grooveyard&#8230;&#8221;<\/p>\n\n\n\n<p>It was these \nearly articles which put the fan on a mission: this writer  had to find \nthis lost artifact. In the days before Ebay and Gemm sites  on the web \nwhich bring little record stores from around the world into  your home \nvia the world wide web one had to sift through hundreds of  recordings \nin dozens of stores before uncovering hidden treasure. And  RECORDS ARE \nLIKE LIFE lives up to expectations &#8211; it is a tremendous  early work by \nAndy Pratt adorned with an off-white cover featuring a  cherub on a \nfrosty jungle high wire on a mountainside with sun rays<br>shooting down\n at a right to left angle. No credit is given to the cover  artist, \nthough a David Jenks photo with three musicians starting with a  very \nyoung Andy Pratt is itself a work of art, the youthful faces peer out \nfrom  the back cover in single file, but placed perfectly in the square.\n Drums  and percussion by Rick Shlosser, Bill Elliot providing a bass \nand vocal on  &#8220;Mindy&#8221; as well as a string arrangement on &#8220;Low Tide \nIsland&#8221;  with a Steve Crump guitar on &#8220;Bella Bella&#8221; Hindsight is always \n20\/20, and with over thirty years since this work was created and \nreleased, it is easy to speculate  &#8211; the record should have been left in\n circulation &#8211; Polydor  &#8220;capitalizing&#8221; on Andy&#8217;s Columbia success could \nonly help him build a  following &#8211; when Sonny And Cher found their 1964 \nrecording &#8220;Baby Don&#8217;t  Go&#8221; resurrected and going Top 10 just six weeks \nafter their<br>breakthrough  hit, &#8220;I Got You Babe&#8221; hit #1, it helped \nmake them the hottest of  commodities. It would be a year and a half \nuntil they hit the Top 10  again &#8211; so that early record not only \nprovided them with momentum for  concert performances, it has made their\n Greatest Hit collections so  much more fun. And as the Grateful Dead \nlearned through allowing tape<br>trading, the more material the fans \nhave, the bigger the following.  Again, this fan becoming obsessed with \nfinding a copy (he actually  found  three, two with a cover, one with \njust an inner sleeve), proves that  when the public hears a sound they \nlike, is turned on to an artist who<br>makes a positive impact in their \nlives, they want more of his\/her  work.  They want to explore the sound \nand the individual crafting that sound.  This fan also recorded Pratt at\n Paul&#8217;s Mall and taped his concert at  that venue off of the radio. \n&#8220;Avenging Annie&#8221; opened doors for Andy<br>Pratt, and to this day people \nremember how amazing its sound was, but  how it lent itself so well to \nradio. &#8220;Bella Bella&#8221; would have been the  perfect follow-up on a \nproduction which has the same flavor as the  Columbia disc, much more so\n than the refined Arif Mardin productions<br>that are RESOLUTION and SHIVER IN THE NIGHT and the Eddy Offord (Yes &#8211;<br>Emerson, Lake and  Palmer) gloss of MOTIVES. In another interview from THE REAL PAPER<br>printed\n in 1976 around the time of the August 29th free concert on  City  Hall \nPlaza in Boston, it is said of the artist in regards to this  album  \nthat it is something &#8220;he now denies nearly categorically.&#8221; Wow.  Times \nchange, and over three decades have elapsed since Andy Pratt<br>recorded\n this rare and beautiful gem of a disc. The fan who sought out  the \npearl of great price had the honor of having his review published  on  \nAMG as well as Rolling Stone.com. In that review  the disc is called &#8220;a \nlost treasure. This is Pratt at his most  innocent,  with vocals that \nsound otherworldly and songwriting that is way ahead  of  its time.&#8221; The\n review also describes Andy as a ( more orthodox)  &#8220;doppelg\u00e4nger&#8221; of \npianist\/vocalist Willie &#8220;Loco&#8221; Alexander<br>and goes on to describe the \nsongs &#8211; citing  &#8220;Wet Daddy,&#8221; &#8220;a charming guitar\/percussion ditty&#8221;, \n&#8220;Oliver&#8221; an  indication of where Pratt would take his music: elegant \npiano,  double-tracked vocals, and a unique melody and &#8220;Low Tide Island&#8221;\n &#8220;a  truly extraordinary (and haunting) song with the ttitle track \nbringing  things back to the jazz\/pop that is Andy Pratt&#8217;s forte.  The \ndecade after this music was made saw the music business becoming  more \nbusiness than  music. With manufactured sound as well as fabricated \nartists  proliferating like snowflakes  a work such as RECORDS ARE LIKE \nLIFE can be viewed for exactly what it  is, a pure artistic statement \nthat continues to entertain &#8211; and that  is more useful than much of the \nmaterial being  forced on the market today. It has stood the test of \ntime. If the  Columbia album was the  Messiah of Andy Pratt&#8217;s work, \nRECORDS ARE LIKE LIFE is its John The  Baptist. The references are not \nmade as a nod to Pratt&#8217;s  Christian albums, only to put this collection \n of songs in its proper context. The Andy Pratt  album on Columbia is a \nmajor work that has  yet to get its due. It is worthy of a Grammy,  and \nRECORDS ARE LIKE LIFE is the work  that came directly before it. There \nis much  insight into the artist on this recording. Buzzy  Linhart (no \nrelation to Pratt&#8217;s aforementioned road manager referenced  above), \nco-author of Bette Midler&#8217;s theme song, &#8220;(You Got To Have)  Friends&#8221; &#8211; \nTop 40 in November of 1973, fell in love with the title of<br>this album\n when he heard about it on the phone in April of 2003, when  these liner\n notes were being composed. Both men were flirting with  major  success \nin 1973,  and both are revered in musical circles. RECORDS ARE LIKE LIFE\n is one  of those artifacts that truly reflects its title &#8211; and lives  \nup to its legend.<\/p>\n\n\n\n<p>joe viglione<br>april, 2003\n\n<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Buzzcockss-l1600-1-1024x911.jpg\" alt=\"\" class=\"wp-image-2708\" width=\"1132\" height=\"1006\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Buzzcockss-l1600-1-1024x911.jpg 1024w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Buzzcockss-l1600-1-300x267.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Buzzcockss-l1600-1-768x683.jpg 768w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Buzzcockss-l1600-1-1536x1366.jpg 1536w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Buzzcockss-l1600-1-624x555.jpg 624w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Buzzcockss-l1600-1.jpg 1600w\" sizes=\"auto, (max-width: 1132px) 100vw, 1132px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-04-at-12-09-19-Buzzcocks-Lest-We-Forget-1-1024x717.png\" alt=\"\" class=\"wp-image-2709\" width=\"1192\" height=\"834\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-04-at-12-09-19-Buzzcocks-Lest-We-Forget-1-1024x717.png 1024w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-04-at-12-09-19-Buzzcocks-Lest-We-Forget-1-300x210.png 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-04-at-12-09-19-Buzzcocks-Lest-We-Forget-1-768x538.png 768w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-04-at-12-09-19-Buzzcocks-Lest-We-Forget-1-624x437.png 624w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-04-at-12-09-19-Buzzcocks-Lest-We-Forget-1.png 1030w\" sizes=\"auto, (max-width: 1192px) 100vw, 1192px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Production Consultant Joe Viglione wrote this review in 2002:  <\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">While The Buzzcocks were on tour in 1979 and 1980, Joan McNulty, the publisher of their official fan magazine Harmony In My Head&nbsp; (and then girlfriend of singer Pete Shelley,) taped all their shows on cassette the way Judy Garland&#8217;s husband Mickey Deans recorded her final&nbsp; shows.&nbsp; McNulty and this writer captured dozens of Willie &#8220;Loco&#8221; Alexander \/ Richard Nolan and Third Rail performances prior to her touring with the Buzzcocks.<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Decades after these cassettes were made their value is obvious. After&nbsp; lengthy legal haggling between 1982 and the date of release, 1988, Neil  Cooper of Reach Out International Records was able to issue this very worthwhile series of 19 songs culled from various live performances on the tour.&nbsp; <\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Who better to compile the music than the woman who gave attention to the group before anyone else in the U.S.A.?&nbsp; <\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">The bevy of tapes were brought up to Blue Jay Studios in Carlisle, Mass., the place where The Joe Perry<br>Project, Aimee Mann, Phil Collins and others worked, and the material was transferred from the master<br>cassettes into organized form.&nbsp; <\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">There are tons of Buzzcocks favorites here, energetic versions of &#8220;What Do I Get?,&#8221; &#8220;Fast Cars,&#8221; &#8220;Airwaves Dream,&#8221; &#8220;Fiction Romance,&#8221; &#8220;Somethings Gone Wrong Again,&#8221; all preserved<br>for the ages, presented with love and care by someone who knew their music as well as the band itself.&nbsp; Boston, Chicago, Minnesota, New Jersey, Providence, RI, New York and Birmingham, UK are all represented with songs from their respective concerts. <\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">As The Doors release all the live tapes from their archives, and artists from Frank Zappa to The Velvet Underground and Jimi Hendrix have their concert tapes being issued to acclaim and sales, Joan McNulty&#8217;s efforts can be viewed as pioneering.&nbsp; <\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Decades after it was conceived and released, Lest We Forget is as pure a document as you&#8217;ll find on the tour of a vital power pop band.&nbsp; The recording quality is not state of the art, but that adds to the charm. <\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\" bizarre  but eBay still has the old reviews in some cases    https:\/\/www.fishpond.com\/Music\/Weird-Scenes-Inside-Gold-Mine-Doors\/0081227960346  Performer Notes Liner Note Author: Bruce Harris. Photographer: Joel Brodsky. A very interesting double LP retrospective two years after Jim Morrison's version of the Doors had officially closed. Weird Scenes Inside the Goldmine contained the first album release of two B-sides, Willie Dixon's &quot;(You Need Meat) Don't Go No Further,&quot; sung by Ray Manzarek, originally on the flip side of the 1971 45 &quot;Love Her Madly,&quot; and the beautiful &quot;Who Scared You,&quot; &quot;Wishful Sinful&quot;'s flip with Jim Morrison on vocals from a session in 1969. Both are worthwhile additions not found on their first &quot;greatest hits&quot; collection, 13. This compilation is a strange amalgam of their music, the LP title taken from a line in the song &quot;The End,&quot; which concludes side two. Five of the 22 songs are from the L.A. Woman sessions, including the title track of that album and the full length &quot;Riders on the Storm,&quot; both clocking in at seven-plus minutes. With &quot;The End&quot; and &quot;When the Music's Over&quot; at 11:35 and 11:00 respectively, that's 38 minutes and 38 seconds between four titles, more than a third of the 99-plus minutes of music on this collection. Nothing from Absolutely Live is included, and surprisingly, the classic &quot;Waiting for the Sun&quot; is not here, though that Morrison Hotel number would fit the mood perfectly. &quot;Love Street,&quot; the flip of &quot;Hello I Love You,&quot; is here, but pertinent singles like &quot;Wishful Sinful&quot; or &quot;Do It&quot; and its flip, &quot;Runnin' Blue,&quot; from The Soft Parade, are all missing in action. The cover art pastiche by Bill Hoffman is worth the price of admission if you already have all this material, while the inside gatefold picture looks like an outtake from the first album. Bruce Harris' liner notes are truly the '60s merging with the '70s; he calls Jim Morrison &quot;merely the index of our possibilities&quot; and states that Morrison didn't want to be an idol &quot;because he believed all idols were hollow.&quot; The essay is all the more silly when you realize it isn't tongue-in-cheek in the way Lou Reed's incoherent ramblings inside Metal Machine Music are more enjoyable than the disc. Harris seems to actually believe what he pontificates. But the music is awesome, so put it on and read the Metal Machine Music scribblings instead. Weird Scenes Inside the Goldmine is a work of art in the first order, the way the Beatles #1 album is wonderfully redundant, and it should see the light of day again. This time they could add &quot;Tree Trunk,&quot; the flip of the &quot;Get Up and Dance&quot; 45 RPM from 1972's Full Circle album. ~ Joe Viglione\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/weirdscenes61j3BaW3V2L._SL1200_-1024x1024.jpg\" alt=\"\" class=\"wp-image-2716\" width=\"1012\" height=\"1012\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/weirdscenes61j3BaW3V2L._SL1200_-1024x1024.jpg 1024w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/weirdscenes61j3BaW3V2L._SL1200_-300x300.jpg 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/weirdscenes61j3BaW3V2L._SL1200_-150x150.jpg 150w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/weirdscenes61j3BaW3V2L._SL1200_-768x768.jpg 768w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/weirdscenes61j3BaW3V2L._SL1200_-624x624.jpg 624w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/weirdscenes61j3BaW3V2L._SL1200_.jpg 1200w\" sizes=\"auto, (max-width: 1012px) 100vw, 1012px\" \/><\/a><figcaption> <br> <br><a href=\"https:\/\/www.fishpond.com\/Music\/Weird-Scenes-Inside-Gold-Mine-Doors\/0081227960346\"><br>https:\/\/www.fishpond.com\/Music\/Weird-Scenes-Inside-Gold-Mine-Doors\/0081227960346<\/a><br><br>Performer Notes<br>Liner Note Author: Bruce Harris.<br>Photographer: Joel Brodsky.<br>A very interesting double LP retrospective two years after Jim Morrison&#8217;s version of the Doors had officially closed. Weird Scenes Inside the Goldmine contained the first album release of two B-sides, Willie Dixon&#8217;s &#8220;(You Need Meat) Don&#8217;t Go No Further,&#8221; sung by Ray Manzarek, originally on the flip side of the 1971 45 &#8220;Love Her Madly,&#8221; and the beautiful &#8220;Who Scared You,&#8221; &#8220;Wishful Sinful&#8221;&#8216;s flip with Jim Morrison on vocals from a session in 1969. Both are worthwhile additions not found on their first &#8220;greatest hits&#8221; collection, 13. This compilation is a strange amalgam of their music, the LP title taken from a line in the song &#8220;The End,&#8221; which concludes side two. Five of the 22 songs are from the L.A. Woman sessions, including the title track of that album and the full length &#8220;Riders on the Storm,&#8221; both clocking in at seven-plus minutes. With &#8220;The End&#8221; and &#8220;When the Music&#8217;s Over&#8221; at 11:35 and 11:00 respectively, that&#8217;s 38 minutes and 38 seconds between four titles, more than a third of the 99-plus minutes of music on this collection. Nothing from Absolutely Live is included, and surprisingly, the classic &#8220;Waiting for the Sun&#8221; is not here, though that Morrison Hotel number would fit the mood perfectly. &#8220;Love Street,&#8221; the flip of &#8220;Hello I Love You,&#8221; is here, but pertinent singles like &#8220;Wishful Sinful&#8221; or &#8220;Do It&#8221; and its flip, &#8220;Runnin&#8217; Blue,&#8221; from The Soft Parade, are all missing in action. The cover art pastiche by Bill Hoffman is worth the price of admission if you already have all this material, while the inside gatefold picture looks like an outtake from the first album. Bruce Harris&#8217; liner notes are truly the &#8217;60s merging with the &#8217;70s; he calls Jim Morrison &#8220;merely the index of our possibilities&#8221; and states that Morrison didn&#8217;t want to be an idol &#8220;because he believed all idols were hollow.&#8221; The essay is all the more silly when you realize it isn&#8217;t tongue-in-cheek in the way Lou Reed&#8217;s incoherent ramblings inside Metal Machine Music are more enjoyable than the disc. Harris seems to actually believe what he pontificates. But the music is awesome, so put it on and read the Metal Machine Music scribblings instead. Weird Scenes Inside the Goldmine is a work of art in the first order, the way the Beatles #1 album is wonderfully redundant, and it should see the light of day again. This time they could add &#8220;Tree Trunk,&#8221; the flip of the &#8220;Get Up and Dance&#8221; 45 RPM from 1972&#8217;s Full Circle album. ~ Joe Viglione<br><br><br><br><br> <\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/weirdsceneslabelR-5605646-1454522664-8588.jpeg\" alt=\"\" class=\"wp-image-2721\" width=\"1024\" height=\"1030\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/weirdsceneslabelR-5605646-1454522664-8588.jpeg 600w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/weirdsceneslabelR-5605646-1454522664-8588-298x300.jpeg 298w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/weirdsceneslabelR-5605646-1454522664-8588-150x150.jpeg 150w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-link\"><div class=\"wp-block-embed__wrapper\">\n<a href=\"https:\/\/store.thedoors.com\/products\/weird-scenes-inside-the-gold-mine-cd\">Weird Scenes Inside The Gold Mine [CD]<\/a>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/store.thedoors.com\/products\/weird-scenes-inside-the-gold-mine-cd\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-04-at-13-00-03-Weird-Scenes-Inside-The-Gold-Mine-CD.png\" alt=\"\" class=\"wp-image-2719\" width=\"1069\" height=\"934\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-04-at-13-00-03-Weird-Scenes-Inside-The-Gold-Mine-CD.png 591w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-04-at-13-00-03-Weird-Scenes-Inside-The-Gold-Mine-CD-300x262.png 300w\" sizes=\"auto, (max-width: 1069px) 100vw, 1069px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/possibilitiesindex.jpg\" alt=\"\" class=\"wp-image-2725\" width=\"1137\" height=\"569\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/possibilitiesindex.jpg 318w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/possibilitiesindex-300x150.jpg 300w\" sizes=\"auto, (max-width: 1137px) 100vw, 1137px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/allthis51o3TMl8NL._AC_.jpg\" alt=\"\" class=\"wp-image-2723\" width=\"1170\" height=\"1158\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/allthis51o3TMl8NL._AC_.jpg 500w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/allthis51o3TMl8NL._AC_-300x297.jpg 300w\" sizes=\"auto, (max-width: 1170px) 100vw, 1170px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">All This and World War 2              Russ Regan&#8217;s Beatles&#8217; Tribute <\/h2>\n\n\n\n<p>Thanks AudioAsylum.com for reprinting my review   All This and Worlds War II <br>ALBUM REVIEW<br> Record executive Russ  Regan, instrumental for his behind-the-scenes work with Harriet Schock,  Genya Ravan, and producer Jimmy Miller, was involved in the creation of  this soundtrack to the 20th Century Fox documentary film All This and  World War II. Produced by Lou Reizner, the London Symphony Orchestra and  the Royal Philharmonic Orchestra, arranged by Wil Malone and conducted  by Harry Rabinowitz, back up an amazing array of stars on Beatles  covers. What this is, truly, is one of the first Beatles tribute albums,  and it is extraordinary. Peter Gabriel performing &#8220;Strawberry Fields  Forever should be a staple on classic hits radio stations. It&#8217;s a  natural, but how about David Essex doing &#8220;Yesterday,&#8221; Leo Sayer on &#8220;Let  It Be,&#8221; or the Four Seasons interpreting &#8220;We Can Work It Out&#8221;? Where the  dismal soundtrack to the film Sgt. Pepper&#8217;s Lonely Heart&#8217;s Club Band  had hits and misses, this is a very cohesive and impressive work of art.  The Brothers Johnson re-create Hey Jude, and its soulful reading is not  what Earth, Wind and Fire did to &#8220;Got To Get You Into My Life&#8221; &#8212; their  Top Ten 1978 hit from the Sgt. Pepper soundtrack &#8212; but it is just as  cool. In 1994 BMG released Symphonic Music of the Rolling Stones, which  had Marianne Faithful sounding like Melanie Safka on &#8220;Ruby Tuesday&#8221; (or  is it the other way around) and Mick Jagger re-creating &#8220;Angie,&#8221; but  that was 18 years after this, and doesn&#8217;t have the marquee value of this  double-vinyl LP chock full of stars. This is four sides of orchestrated  Beatles, with the Status Quo, Ambrosia, and Bryan Ferry on a version of  &#8220;She&#8217;s Leaving Home&#8221; that was meant exclusively for him, as is Helen  Reddy&#8217;s take on &#8220;Fool on the Hill.&#8221; Leo Sayer gets to do &#8220;The Long and  Winding Road&#8221; as well as &#8220;I Am the Walrus,&#8221; while Frankie Valli does &#8220;A  Day in the Life&#8221; to augment his Four Seasons track. It is nice to see  Jeff Lynne and Roy Wood on the same album again, Wood with &#8220;Polythene  Pam&#8221;and &#8220;Lovely Rita,&#8221; future Beatles co-producer Jeff Lynne cutting his  teeth on about seven minutes of &#8220;With a Little Help From My  Friends&#8221;\/&#8221;Nowhere Man.&#8221; Tina Turner reprises her classic &#8220;Come  Together,&#8221; Elton John, of course, has to weigh in with &#8220;Lucy in the Sky  With Diamonds,&#8221; while the Bee Gees are spread out over the record doing  bits and pieces of the Abbey Road medley, &#8220;Golden Slumbers\/Carry That  Weight&#8221; on side one, less than two minutes of &#8220;She Came in Through the  Bathroom Window&#8221; on side two, and two minutes of &#8220;Sun King&#8221; on side  three. Frankie Laine, Status Quo, and a delirious Keith Moon add to the  festivities, but it is the Peter Gabriel track which gets the nod as the  over-the-top performance here; Moon&#8217;s rant is so out-there and off-key  it disturbs the momentum. We have to give him a pass, though. It&#8217;s Keith  Moon, and he never made it to 64! Keep in mind that, two years later,  the Bee Gees, Helen Reddy, Frankie Valli, and Tina Turner would show up  in the Sgt. Peppers Lonely Heart Club Band soundtrack and film as well,  so maybe this is where the idea for that came to be. Utilizing the Elton  John number-one hit from two years earlier, &#8220;Lucy in the Sky With  Diamonds,&#8221; insures that a Beatle is involved in this project, as John  Lennon performed on that single under the name Dr. Winston O&#8217;Boogie,  though it might have been interesting had they added the Royal  Philharmonic to the original tape. Well, on second thought, maybe not.  Still, it is a classic, classic album that deserves a better place in  rock history, certainly more so than the aforementioned Sgt. Peppers  Lonely Hearts Club Band soundtrack. Definitely worth seeking out. <br> Joe Viglione, All Music Guide  <\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/38655_1_large.jpg\" alt=\"\" class=\"wp-image-2737\" width=\"1107\" height=\"1671\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/38655_1_large.jpg 530w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/38655_1_large-199x300.jpg 199w\" sizes=\"auto, (max-width: 1107px) 100vw, 1107px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Joe Viglione is published in many of the AMG books.  Here is the Google Books screenshot of some of my work in                                                        the All Music Guide to THE BLUES<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-04-at-13-08-47-All-Music-Guide-to-the-Blues-1.png\" alt=\"\" class=\"wp-image-2728\" width=\"1119\" height=\"1240\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-04-at-13-08-47-All-Music-Guide-to-the-Blues-1.png 694w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-04-at-13-08-47-All-Music-Guide-to-the-Blues-1-271x300.png 271w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-04-at-13-08-47-All-Music-Guide-to-the-Blues-1-624x691.png 624w\" sizes=\"auto, (max-width: 1119px) 100vw, 1119px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"699\" src=\"http:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-04-at-13-08-31-All-Music-Guide-to-the-Blues-1024x699.png\" alt=\"\" class=\"wp-image-2729\" srcset=\"https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-04-at-13-08-31-All-Music-Guide-to-the-Blues-1024x699.png 1024w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-04-at-13-08-31-All-Music-Guide-to-the-Blues-300x205.png 300w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-04-at-13-08-31-All-Music-Guide-to-the-Blues-768x524.png 768w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-04-at-13-08-31-All-Music-Guide-to-the-Blues-624x426.png 624w, https:\/\/joeviglione.com\/wp-content\/uploads\/2022\/02\/Screenshot-2022-02-04-at-13-08-31-All-Music-Guide-to-the-Blues.png 1258w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Lost review by Joe Viglione<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lots of You in My Life Mastered by Rob Fraboni June 7 2024 Lots of You in My Life, the new single from Joe Viglione Lots Of You in My Life by Joe Viglione BTD RADIO, CALIFORNIA REVIEW FROM MATT ZIN Joe Viglione\u2019s latest track, \u201cLots Of You in My Life,\u201d from the album \u201cElegant [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[8,3,13,11,9,15,10,14,17,18,6,16,4,2,7,5,12],"class_list":["post-2547","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-bill-wyman","tag-bobby-hebb","tag-buzzy-linhart","tag-deep-purple","tag-eric-clapton","tag-george-harrison","tag-hubert-sumlin","tag-ian-lloyd-stories","tag-jefferson-airplane","tag-jefferson-starship","tag-jimmy-miller","tag-marty-balin","tag-mick-taylor","tag-publicity","tag-rob-fraboni","tag-rolling-stones","tag-the-beatles"],"_links":{"self":[{"href":"https:\/\/joeviglione.com\/index.php?rest_route=\/wp\/v2\/posts\/2547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/joeviglione.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/joeviglione.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/joeviglione.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/joeviglione.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2547"}],"version-history":[{"count":103,"href":"https:\/\/joeviglione.com\/index.php?rest_route=\/wp\/v2\/posts\/2547\/revisions"}],"predecessor-version":[{"id":2928,"href":"https:\/\/joeviglione.com\/index.php?rest_route=\/wp\/v2\/posts\/2547\/revisions\/2928"}],"wp:attachment":[{"href":"https:\/\/joeviglione.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/joeviglione.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/joeviglione.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}